LIPATTI PIANO FAVOURITES   J. S. Bach Partita No. 1 BWV 825 3 Chorale Preludes, Choral "Jesu bleibet meine Freude", Siciliano Chopin 14 Walzer Barcarolle, Nocturne Op. 27 No. 2, Mazurka Op. 50 No. 3 Mozart Piano Sonata KV 310 D. Scarlatti 2 Sonatas   DINU LIPATTI Dinu Lipatti was born in Bucharest, Rumania, on 19 March 1917, to wealthy and musical parents: his father had studied violin under Sarasate and his mother was a pianist and piano teacher. He began playing the piano as an infant and made his public debut as pianist and composer at the amazingly young age of four. His parents, very wisely, avoided exploiting their child prodigy and had him study at the Bucharest Conservatoire. At the same time, professors from the university would come to his home to teach him as his weak health precluded a formal school education. It was not until he was 17 that he left Bucharest to embark on his musical career. When Lipatti was awarded only Second Prize at the Vienna Piano Competition in 1934, the great French pianist Alfred Cortot resigned from the jury in protest, and personally invited Lipatti to Paris where he took the young pianist under his wing. At the same time, Lipatti studied composition under Nadia Boulanger and Paul Dukas, and conducting under Charles Munch. Lipatti returned to Rumania in 1939 and survived World War II in his fatherland. He only fled the country near the end of the war with his fiancée Madeleine Cantacuzene (later his wife and then widow), via Scandinavia, to Switzerland, where at the Geneva Conservatoire he held the highest piano professorship from 1944 to 1949. He concertized widely in Europe, including Switzerland, France, Germany, Italy, Great Britain, Belgium and Holland, and his fame and popularity grew rapidly. He was also much sought after as a teacher for his masterclasses. In the last six years of his life, Lipatti was diagnosed with leukaemia. Yet his drive did not diminish and his playing never suffered. There were even plans for a concert tour in America, but relapses caused it to be cancelled. In his last year, his illness was kept at bay temporarily with a new drug, cortisone - the cost of which devoted friends like Menuhin, Munch and Stravinsky contributed no small amounts. It was during this remission that Lipatti, much against the advice of his doctors, decided to honour his concert engagement and played his final recital at Besaçon on 16 Sept. Unfortunately, the leukaemia returned; Lipatti finally succumbed and, as all his biographers would write, died a painful death in Geneva on 2 December 1950, at the tragically young age of 33. Lipatti used to play, on private occasions, a very wide repertory, but, it was with a very different, selective and strict attitude that he would choose the piece to be performed during a concert, or a recording. For such reason, the very few recordings we have include pieces of his few very beloved composers: Bach, Mozart, Scarlatti, Chopin, Ravel. His performance of Bach’s Partita in B flat is a myth for its balance and sound perfection, as well as the limpidness in Mozart’s Sonata in a minor. And Chopin’s 14 Waltzes, which Lipatti performs following a personal sequence, featuring a classical balance not dwelling upon any temptation of a decadent style. Just a few, but eloquent samples of the style of these pages, where “emotion is permitted to suggest itself only through a veil of elaborate civility…”.